Medieval Horticulture/Agriculture

The period of time between the collapse of the Roman Empire and the Rennaisance has been characterized as somewhat 'static' in terms of development of Horticulture, much as it was in terms of other arts and sciences. In fact, some describe this period as characterized by 'stifling dogmatism.' These so-called 'Dark Ages' were restricted to what we term as the 'West.' There were fluorishing horticultural (and other cultural activities) in the 'East' (The Islamic Empire, India, China, Japan, etc)

After the fall of Rome and the emergence of the Byzantine Empire, much of Western Europe plunged into a period characteized by strife, lack of cultural development, and domination by feudal lords.


Important Features


Contacts with the East

Western Europe began to emerge from the Dark Ages when a series of events led to changes in political and social structure. One event that influenced horticultural developments was the Crusades; this campaign established routine contact with the ideas and concepts of the East. Another prelude to the Renaissance and the Age of Discovery can be found in the activities of an Italian family, the Polo's. The land journeys of Italian missionaries and merchants such as the Polo's linked the Mediterranean coasts to the China Sea. Exchange of goods (including plants) soon began to awaken Western Europe.

Marco Polo (1254-1324), a Venetian merchant and adventurer, journeyed from Europe to Asia in 1271-95, remaining in China for 17 of those years, and whose 'Il milione' ("The Million"), known in English as the Travels of Marco Polo, became a geographical classic... the great contribution of Marco Polo to the geographical knowledge of the West lay in his vivid descriptions of the East. He had tremendous opportunities of seeing China and appreciating its life, for he was taken into the service of the Khan and was sent as an administrator to great cities, busy ports, and remote provinces, with instructions to write full reports. In his book he described how, upon every main highroad, at a distance apart of 25 or 30 miles (40 to 50 kilometres), there were stations, with houses of accommodation for travellers, with 400 good horses kept in constant readiness at each station. He also reported that, along the roads, the Great Khan had caused trees to be planted, both to provide shade in summer and to mark the route in winter when the ground was covered with snow. [Brittanica, 1995]


A Medieval Courtyard


Herbals and Herbalists

Herbals are ancient manuals of mostly medicinal plants. Their origin traces to the Greek interest in cataloguing and describing plants. As originators of the study of Botany (see Theophrastus in Hellenistic prominence) the Greeks produced writings that listed common plants and often specified their medicinal properties. For much of the Middle Ages, there was little distinction between Medicine and Botany, as plants were used to (attempt to) cure all ills. The greatest authority of medicinal plants up to the Renaissance was the Greek physician, Dioscorides, and his work, 'De Materia Medica.'

The illustration at left is taken from one of the many reproductions (with embellishments) of the book. The image is reproduced form the Vatican Exhibit and is accompanied with the following description: 'For practical reasons, illustrations--whether stylized or naturalistic--were an important part of some medieval herbals or works on medicinal substances. The interaction of textual and iconographic traditions has a complicated history. This picture book, with no narrative text, is probably associated with a Salernitan herbal compiled at the medical school at Salerno in the twelfth century and known as the "Circa instans." Plants, animals, and minerals are arranged in alphabetical order with plant lists and captions in Latin. Here, a highly naturalistic rose appears side by side with some much less realistically rendered plants.'

'Many manuscript herbals, drawing largely from Dioscorides and Pliny, were published in medieval Europe; during the 15th century several were printed, a notable one being Konrad von Megenberg's Das puch der natur (or Buch der natur, "Book of Nature"). When printed in 1475, it included the first known woodcuts for botanical illustrations. Very few original drawings were prepared for herbals before the 16th century: illustrations were copies and copies of copies. They became highly stylized, not only ceasing to resemble the plants depicted but also incorporating mythological notions. "Narcissus," for example, in Jacob Meidenbach's Hortus sanitatis (1491), is unidentifiable: a human figure, instead of the plant's sex organs, emerges from each perianth (sepals and petals of a flower).' [From Brittanica]

Other famous Herbalists included:


Fluorishing of Islamic culture

Although much of Europe went through a long period of cultural stagnation that was finally shaken with the Renaissance, other parts of the world, especially the Middle East and Asia, fluorished with the development of sophisticated civilizations. The Empire of Islam contributed tremendously to developments in Western Europe (including those in Horticulture). Arab merchants were:
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